Opening with lesser-known songs to the wider public, including, the interestingly titled, “Naked Pictures (Of Your Mother)” and the catchy, “Down at McDonnelzzz”, Shepherds Bush dug these and needed seldom motivation to be moved by these songs. Devoted fans dressed in stick-on Abraham Lincoln beards and large distinguished black Abraham Lincoln hats protruded to the front of the stage and blocked fans vision from virtually every angle, drawing Wilkes Booth resentment from some fans. The Lounge Kittens then played out their set with Limp Bizkit’s “Rollin’” and a melody of Queen songs.īoth fans and the Electric Six were excited for this, the band’s thirtieth London gig.
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The Lounge Kittens continued the reminisce joyful memories from the Empire by playing a melody of hits of retro TV children’s shows which consisted of Transformers, Gummi Bears, Pokémon, Thunder Cats (with an impressive meow from the trio of kittens) and the Teenage Mutant Hero Turtles. This choice of songs The Lounge Kittens selected was appropriate, as the majority of them were released around the time Electric Six made their commercial debut.
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The Lounge Kittens continued with a melody of Sum 41, Wheatus, Bowling for Soup, The Offspring and Blink 182. With a keyboard player, these three ladies gave The Puccini Sisters treatment (minus the backing band) to early noughties pop-punk and metal hits beginning with Andrew WK’s “Party Hard” followed by Good Charlotte’s “Lifestyles of the rich and the Famous”. Support came from The Lounge Kittens, a British three-piece girl band with soothing cacophonous voices which has earned them comparisons to The Andrew Sisters. By putting themselves on Band Camp and successfully funding six projects via Kickstarter Electric Six has been able to continuously create an ongoing intimate fan experience which has rewarded them with the release and touring of a further thirteen LP’s since their debut. Whilst their commercial success has peaked and the band has seen numerous line-up changes their longevity is down to their ability to reach out to their most devoted fan base and having a strong DIY ethic any new and unknown band should take note of. It's not the kind of party that will attract the police, and that's not what you want from the Electric Six.In 2003, Detroit six-piece, Electric Six, became a household name in the UK with hits from their debut LP, Fire, including “Danger! High Voltage”, “Dance Commander” and lest we forget “Gay Bar”. Streets of Gold is competent and occasionally fun, but for a band built on crazy, this album is disappointingly sane and subdued. However, the pure mania that is E6's trademark is in curiously short supply - they have no trouble tearing up their own numbers, but they sound oddly subdued here, seemingly afraid to throw caution to the wind and push the pedal to the floor - they only hit their own level of disco-punk fervor on Kiss' "Strutter." While their covers of their own tunes are good enough, it's hard to know why they bothered unless they were hoping to get a second paycheck for them 18 years after Fire was released.
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Nice Guy," which sounds pretty much perfect for Dick Valentine's voice and persona).
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They've also chosen a good set of songs - while most of these numbers should be reasonably familiar, pulling Tin Machine's "Under the God" out of the bag is a gutsy move that works, and raiding the songbooks of Roky Erickson ("Click Your Fingers Applauding the Play"), Love ("Maybe the People Would Be the Times or Between Clark and Hilldale"), and James Ingram ("Yah Mo B There") shows they're willing to entertain the deep cuts fans along with the folks who prefer to hear INXS ("Don't Change"), Fleetwood Mac ("Little Lies"), and Alice Cooper ("No More Mr. If the Electric Six had to make a living as a bar band playing other people's hits, Streets of Gold shows they could probably make a go of it - the arrangements follow the originals fairly closely while still showing some of their own personality (and one thing this band has never lacked is personality), and they can generate a good beat you can dance to. 2021's Streets of Gold is E6's first album in three years (an unprecedented break from recording, presumably imposed by the COVID-19 pandemic), and this time out they've recorded an entire set of covers, along with remakes of two E6 hits ("Danger! High Voltage" and "Gay Bar"). Electric Six's raison d'etre has always been getting the party started and throwing it into high gear, and sometimes the way to do that is to play some songs everyone already knows and can howl along with.